For about a month I could not write a single thing. Before that I’d spent several more months trying to force out words across two different WIPs hoping that something would spark and I’d be able to get back to my pre-P&X-publication numbers, which were about 2,000-3,000 words a day. For me that is a lot of words. A lot of words I was only able to produce because I’d been working on that version of the novel for about a year. By that point I knew the world and the characters so well. The effort of problem-solving was no longer slowing me down as much as it had in the beginning.
This is the part I always forget—the beginning. And I don’t mean the first couple of days or even the first couple of weeks when you’re so high on the potential of this shiny new idea that you’re writing like crazy, just trying to get it all out. I’m talking about the point in that first draft when you hit a wall and don’t know where the characters should be going or why. Or maybe you do know but you don’t know how to get them there. The initial excitement has worn off and you are now forced to slow down, to think, to figure it out.
I am in that place with my current WIP but instead of panicking that the words aren’t coming fast enough or that the ones I am able to produce are total crap, I am trying to focus on that fact that even one more word is still progress. I’ve been using pacemaker.press (which I absolutely love even though the website is always wonky and takes forever to load) and setting a daily goal for that WIP of just 500 words. That’s a little less than a full page, which means it’s just enough for me to see that this idea is growing into a book but not so much that I feel defeated before I even begin.
During this very fragile rebuilding period in which I am trying to find my confidence again as a writer while also protecting my mental health, these small victories are crucial. As a teacher, I know how impossible it is for a student to take risks, to learn and grow when they feel like the task ahead of them is impossible. I know that setting students up for failure (i.e. an assignment that is too difficult or does not honor their learning style, cultural background, etc.) has damaging psychological effects and can prevent them from engaging in that task/topic in the future. As a creative person with severe anxiety I must also be careful not to set myself up for failure. For me, that means not putting a ridiculous amount of pressure on one WIP. That means finding other sources of income so sliding book sales don’t completely derail my mental health. It means setting goals I can actually reach and still giving myself grace when I don’t.
So, what does that look like? Well, in order to avoid putting all of my eggs in one basket I’m working on a new Fantasy series alongside my current WIP. It’s an idea that’s been ruminating for several years and because of that I was able to outline the first book in the series in just a couple of days. Now, if I’m having a bad day with the contemporary YA novel I can switch gears and still feel like I’m making progress towards the much greater goal of querying at some point in the next couple of years. I know some people discourage writers from following the “shiny new idea” because if you do that every time you have one you’ll never finish anything. But I’ve finished eight novels so finishing is not a problem for me. Doubt is. And that doubt is much less severe when I’m making progress on something, anything.
As for finding another source of income, I’m really lucky that I have the summers off to earn extra money. This year I’ll be teaching both sessions of summer school and a review session for the English end of course exam students must pass in order to graduate. It’s enough to supplement my income until December-ish, which is when I hope to put out the contemporary novel I’m working on. Then I’ll set the companion novel, Pen & Xander, to perma-free and hope that drives traffic to the new book. If that book doesn’t sell then I can always try to teach summer school again next year. It won’t be easy making ends meet without my royalty income but it’s not impossible.
Making sure my daily word count goals are just as possible is another key to the rebuilding process. Right now, my word count goal for my contemporary novel is 500 and my word count goal for the Fantasy series is 350. In total I’m holding myself to about 850 words a day and often I’m able to produce much more. Part of this is because psychologically I’ve tricked myself into thinking the 500 words for one WIP and 350 for another is no big deal. I can sprint that before school starts or during my lunch break. And if I don’t, I’ve written in excess of these goals on so many occasions that I now have a nice cushion for myself on days when I’m too distracted to get something down.
Right now, this is a system that is working for me but it’s taken a long time to find that balance. And who knows? Once I finish the contemporary novel I may not be able to continue writing two novels at a time or I may not be able to keep up my current pace. I may find my current pace too easy. Lots of things can change and part of giving myself grace is allowing myself the time and space to change with them. To be flexible and forgiving. To focus on my health before my art. To remind myself that one cannot exist without the other.